Saturday, August 9, 2008

Olympics in Beijing


I was blown away by the opening ceremony of the Olympics last night then stayed up into the wee hours watching the beginning of the U.S. women's soccer match against Japan. I finally turned it off after a spectacular goal by Karli Lloyd for the U.S. team, knowing that our VCR was grinding away recording it.

Today after picking up Lingling's Sing Tao Saturday magazine at the Pacific East Mall down the block, I watched the end of the U.S. women's volleyball team's successful match against Japan, then the 3 U.S. female fencers taking all three medals. Since I missed the first 20 minutes of the NBC broadcast last night, I rewound the tape and began watching. I couldn't stop watching - it's playing behind me as I write this, with Zhang Yimou's production absolutely mesmerizing. Impressive last night, it is hypnotic today when I can appreciate more deliberately what Zhang has contrived. All the guys under the moving blocks just came out smiling broadly and waving, reminiscent of the opening gambit with the 2,008 drummers in perfect coordination drumming on magnificent drums, the 2,500-year-old prototype of which was discovered in a tomb near Shanghai only three years ago. They were told to smile so as to be less intimidating in this country of 1.3 billion, but I gotta say that those two thousand drummers in exact unison was unnerving, if not specifically threatening. Interesting that director Zhang Yimou cooked up the perfect combination of harmony, power, poetry, enormity, and smiling individual faces of people all seemingly at peace in the ancient culture in which they are living.

I've spoken to Lingling and Ouwen by phone several times in the last couple of weeks, and as excited as she has been about the impending Olympics, her reporting has been mixed. Frustration at the pollution, the traffic jams, the extremely tight security mixed with anticipation and perhaps a little apprehension that China could pull this off. She even mentioned wishing she could post something to this blog. A family friend managed to procure a single ticket to an opening ceremony rehearsal last Monday evening (you have to have connections), and Lingling insisted Ouwen attend with her cousin. Ouwen gave it 3 out of 5 stars (we've seen way too many movies) and seemed ambivalent about the fact that is was all about Chinese culture and history - I guess he thought it should be more international. I assured him that was the usual approach. Yesterday after work I talked to them after they watched the real thing on TV the night before, which was Friday night China time (8-8-08 at 8:08 p.m. - eight [ba] is a lucky number in China). They seemed both impressed and perplexed at how it would be seen outside of China. Lingling thought Zhang Yimou went too far over the top. Many Chinese think he's gotten too commercial with films like House of Flying Daggers, Hero, and Curse of the Golden Flower. They like his older, more classical films like To Live, Raise the Red Lantern, and Red Sorghum, but I confess I prefer the new Zhang Yimou, including what he hath wrought at the Beijing Olympics.

Well, now I must find out what happened with that middle-of-the-night soccer game!
Update: Good news! The U.S. women's soccer team did beat Japan 1-zip, so now they're 1-1 after losing to Norway. I believe the U.S. men's basketball team plays China and Yao Ming tomorrow (Sun.) morning in real time (Sun. night Beijing time). That should be very interesting. Yao looked tired during the opening ceremonies but perked up when the cute little kid who survived the Sichuan earthquake and then rescued two of his friends showed up waving a couple of flags. Yao picked him up and carried him part of the way.

Saturday, August 2, 2008

Richard Lester's 3 Musketeers ('73), 4 Musketeers ('74)


















I don't know why I expected the Richard Lester versions of the 3 Mosquitoes to be serious (released in 1973 and 1974 as The 3 Musketeers and  The 4 Musketeers). Silly me, but I was shocked when I started to watch the first movie and saw that the plot was just a clothesline to hang pratfalls on. About 40 minutes into it, I shut it off, ripped the DVD out of the machine, and swore I couldn't watch anymore.

But then I started reading reviews on Netflix and MRQE, and with a couple of exceptions that sounded like my reaction, most of the reviewers got the joke and loved it, calling it the best version of the story ever. So a day later I put the DVDs back in the player and gave it another try.

It was all pratfalls at first with zero character development and joltingly austere Spanish locations including the Cathedral of Toledo and a bunch of Moorish architecture supposed to be Paris and the French countryside, but I confess it eventually started growing on me, especially in the second movie. At first I thought Faye Dunaway terribly miscast as Milady de Winter, but then her sexy, ethereal beauty kicked in and I decided she was perfect for the part. Contrary to the 1966 BBC version (see review below), I could believe that Dunaway could seduce any man that crossed her path.

Same with Charlton Heston as Cardinal Richelieu - possibly at his most handsome and regal and with an underplayed sense of humor. Christopher Lee was perfect as Count de Rochefort. Raquel Welch played Constance Bonacieux as a busty ditz, quite unlike the way she was played in the BBC production, but it works and she is one of the lights of this production. Michael York is no Jeremy Brett, but he was serviceable as D'Artagnan, Richard Chamberlain was a hoot as the dandified Aramis prancing around in his finery, and Oliver Reed and Frank Finlay were fine as Athos and Porthos. I didn't like Geraldine Chaplin as Queen Anne of Austria but it wasn't too big a part.

I wondered how Lester and producer Ilya Salkind would handle the violent second half of the story and was mildly surprised that they played it as written, bloodshed and all. Main characters begin dropping like flies in The 4 Musketeers as in the book. Ultimately the BBC production followed the book more religiously and took the proceedings more seriously, but the Lester version is far more colorful, often laugh-out-loud amusing (as when D'Artagnan and Rochefort attempt a swordfight on a frozen river), boasts weightier actors, especially the much more convincing female leads, and captures the look of the times much better, even if France is made to look like Spain, which it doesn't.

In a very interesting "making of" feature on the DVD set, Salkind allowed as how his intention was to play up the comedy of Dumas's original work. Well, the original Three Musketeers wasn't all that funny, and I don't think comedy was Dumas pere's intention, but I suppose Salkind/Lester's "Monty Python Meets the 3 Mosqueteros" works in any case.

If you're interested, there is a very nicely packaged 2-DVD set available on Amazon containing both movies released as The Complete Musketeers.